Oudh Osmanthus woda perfumowana
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Mysterious and highly valued oil of true oud from Laos permeates from the center of the scent (from the Les Nombres d'Or Mony di Orio collection), casting a mysterious spell on other notes and emphasizing their beauty. Since ancient times, due to its rarity and costs, precious oud has been traditionally reserved for gods and rulers. It is a mystery, a myth that goes far beyond the boundaries of scent, unfolding smoothly and surrounding us with its luxurious aura, closed in a thousand and one nights. This fragrance opens with citrus notes and precious spiciness of elemi, petitgrain and green mandarin mixed together in a seductive combination. An elixir of love radiating sensuality, Oud, step by step, reveals its disturbing aspects, changing from animalistic to leathery, woody and balsamic. They embrace in a sensual energy with shady patchouli, mysterious nagarmotha, Atlas cedar and grey amber - a charming blend, rich and strong. Osmanthus, a sensual flower with a charmingly warm and hypnotizing accord of jasmine, honey and apricot, softens the powerful force of the unique Oud nectar.
Elimi from the Philippines, green mandarin from Calabria, petitgrain from Paraguay, patchouli from Indonesia, osmanthus from China, nagarmotha from India, cedar from the Atlas Mountains, oud essential oil from Laos, musk, amber
Fragrance Notes
About the brand Mona di Orio
"One of the most important features of the compositions I create is light. I love playing with scents, just like a painter plays with light and shadow. The top notes are bright and full of radiance, the heart notes are full of reflections, and the base notes are embedded in darkness." - that's how Mona di Orio talked about her philosophy of creating perfumery masterpieces. Her work and thinking about scents were undoubtedly influenced by her classical education, erudition, and over fifteen years of experience with one of the greatest authorities in perfumery, Edmund Roudnitski.
These are scents that cannot be forgotten, let alone imitated or replaced. They are unique, multi-threaded, and full of depth. They show humility towards the raw material and the sense of smell, true passion, and something incredibly rare and difficult to name - perhaps that's why they are so moving.
Mona di Orio passed away suddenly in 2011. Her work is continued by Jeroen Oude Sogtoen.